LEXI FREIMAN is an Australian writer and editor who graduated from Columbia's MFA program in 2012. Her first novel, Inappropriation, was longlisted for the Center for Fiction’s First Novel Prize and the Miles Franklin Award. She also writes for television.

About The Book of Ayn:

An original and hilarious satire of both our political culture and those who rage against it, The Book of Ayn follows a writer from New York to Los Angeles to Lesbos as she searches for artistic and spiritual fulfillment in radical selfishness, altruism, and ego-death

After writing a satirical novel that The New York Times calls classist, Anna is shunned by the literary establishment and, in her hurt, radicalized by the philosophy of Ayn Rand. Determined to follow Rand’s theory of rational selfishness, Anna alienates herself from the scene and eventually her friends and family. Finally, in true Randian style, she abandons everyone for the boundless horizons of Los Angeles, hoping to make a TV show about her beloved muse.

Things look better in Hollywood—until the money starts running out, and with it Anna’s faith in the virtue of selfishness. When a death in the family sends her running back to New York and then spiraling at her mother’s house, Anna is offered a different kind of opportunity. A chance to kill the ego causing her pain at a mysterious commune on the island of Lesbos. The second half of Anna’s odyssey finds her exploring a very different kind of freedom – communal love, communal toilets – and a new perspective on Ayn Rand that could bring Anna back home to herself.

"A gimlet-eyed satirist of the cultural morasses and political impasses of our times" (Alexandra Kleeman), Lexi Freiman speaks in The Book of Ayn not only to a particular millennial loneliness, but also to a timeless existential predicament: the strangeness, absurdity, and hilarity of seeking meaning in the modern world.

Anna Biller is a filmmaker and a writer known for her feminist point of view, and for her meticulously crafted visual design. The New York Times called her cult film The Love Witch “a hothouse filled with deadly and seductive blooms,” and Indiewire called her debut feature Viva “a pitch perfect resurrection of the Valley of the Dolls days of cinema.” She is currently in development for a ghost movie set in medieval England.

About Bluebeard's Castle:

Bluebeard gets a feminist Gothic makeover in this subversive take on the famous French fairy tale — from the acclaimed director of The Love Witch, and for fans of Jane Eyre

When the successful British mystery writer Judith Moore meets Gavin, a handsome and charming baron, at a birthday party on the Cornish coast, his love transforms her from a bitter, lonely young woman into a romance heroine overnight. After a whirlwind honeymoon in Paris, he whisks her away to a secluded Gothic castle. But soon she finds herself trapped in a nightmare, as her husband’s mysterious nature and his alternation between charm and violence become increasingly frightening.

As Judith battles both internal and external demons, including sexual ambivalence, psychological self-torture, gaslighting, family neglect, alcoholism, and domestic abuse, she becomes increasingly addicted to her wild beast of a husband. Why do women stay in abusive relationships? The answer can be found in the tortured mind of the protagonist, whose richly layered fantasy life parallels that of the female Gothic romance reader. Filled with dark humor and evocative imagery, Bluebeard’s Castle is a subversive take on modern romance and Gothic erotica.

Melissa Broder is the author of the novels Milk Fed, The Pisces, and Death Valley, the essay collection So Sad Today, and five poetry collections, including Superdoom. She has written for The New York Times, Elle, and New York magazine’s The Cut. She lives in Los Angeles. Follow her on Twitter @SoSadToday and @MelissaBroder and Instagram @RealMelissaBroder.

About Death Valley:

The most profound book yet from the visionary author of Milk Fed and The Pisces, a darkly funny novel about grief that becomes a desert survival story.

In Melissa Broder’s astounding new novel, a woman arrives alone at a Best Western seeking respite from an emptiness that plagues her. She has fled to the California high desert to escape a cloud of sorrow—for both her father in the ICU and a husband whose illness is worsening. What the motel provides, however, is not peace but a path, thanks to a receptionist who recommends a nearby hike.

Out on the sun-scorched trail, the woman encounters a towering cactus whose size and shape mean it should not exist in California. Yet the cactus is there, with a gash through its side that beckons like a familiar door. So she enters it. What awaits her inside this mystical succulent sets her on a journey at once desolate and rich, hilarious and poignant.

This is Melissa Broder at her most imaginative, most universal, and finest. This is Death Valley.

About Are You Willing to Die for the Cause?
A deep dive into a contentious and dramatic period in Canadian history—the rise of a militant separatist group whose effects still reverberate today.

It started in 1963, when a dozen mailboxes in a wealthy Montreal neighborhood were blown to bits by handmade bombs. By the following year, a guerrilla army camp was set up deep in the woods, with would-be soldiers training for armed revolt. Then, in 1966, two high-school students dropped off bombs at factories, causing fatalities. What was behind these concerted, often bungled acts of terrorism, and how did they last for nearly eight years?

In Are You Willing to Die for the Cause?, Quebec-born cartoonist Chris Oliveros sets out to dispel common misconceptions about the birth and early years of a movement that, while now defunct, still holds a tight grip on the hearts and minds of Quebec citizenry and Canadian politics. There are no initials more volatile in Quebec history than FLQ—the Front de libération du Québec (or, in English, the Quebec Liberation Front). The original goal of this socialist movement was to fight for workers' rights of the French majority who found their rights trampled on by English bosses. The goal became ridding the province of its English oppression by means of violent revolution.

Using dozens of obscure and long-forgotten sources, Oliveros skillfully weaves a comics oral history where the activists, employers, politicians, and secretaries piece together the sequence of events. At times humorous, other times dramatic, and always informative, Are You Willing to Die for the Cause? shines a light on just how little it takes to organize dissent and who people trust to overthrow the government.

Isle McElroy (they/them) is a non-binary author based in New York. Their writing has appeared in the New York Times, The Atlantic, New York Times Magazine, The Cut, GQ, The Guardian, Vogue, Bon Appétit, and other publications. They have received fellowships from the Bread Loaf Writers’ Conference, the Tin House Summer Workshop, the Sewanee Writers Conference, and they were named one of The Strand's 30 Writers to Watch. In May 2021, Isle founded Debuts & Redos, a reading series for authors who published books during the pandemic. Their first novel, The Atmospherians, was named an Editor's Choice by the New York Times and a book of the year by Esquire, Electric Literature, Debutiful, and many other outlets.

About People Collide:

From the acclaimed author of The Atmospherians—“a Fight Club for the Millennial Generation” (Mat Johnson)—a gender-bending, body-switching novel that explores marriage, identity, and sex, and raises profound questions about the nature of true partnership.

When Eli leaves the cramped Bulgarian apartment he shares with Elizabeth, his more organized and successful wife, he discovers that he now inhabits her body. Not only have he and his wife traded bodies but Elizabeth, living as Eli, has disappeared without a trace. What follows is Eli’s search across Europe to America for his missing wife—and a roving, no-holds-barred exploration of gender and embodied experience.

As Eli comes closer to finding Elizabeth—while learning to exist in her body—he begins to wonder what effect this metamorphosis will have on their relationship and how long he can maintain the illusion of living as someone he isn’t. Will their new marriage wither completely in each other's bodies? Or is this transformation the very thing Eli and Elizabeth need for their marriage to thrive?

A rich, rewarding exploration of ambition and sacrifice, desire and loss, People Collide is a portrait of shared lives that shines a refreshing light on everything we thought we knew about love, sexuality, and the truth of who we are.

About Do You Remember Being Born?
At 75, Marian Ffarmer is almost as famous for her signature tricorn hat and cape as for her verse. She has lived for decades in the one-bedroom New York apartment she once shared with her mother, miles away from any other family, dedicating herself to her art. Yet recently her certainty about her choices has started to fray, especially when she thinks about her only son, now approaching middle age with no steady income. Into that breach comes the letter: an invitation to the Silicon Valley headquarters of one of the world's most powerful companies in order to make history by writing a poem.

Marian has never collaborated with anyone, let alone a machine, but the offer is too lucrative to resist, and she boards a plane to San Francisco with dreams of helping her son. In the Company's serene and golden Mind Studio, she encounters Charlotte, their state-of-the-art poetry bot, and is startled to find that it has written 230,442 poems in the last week, though it claims to only like two of them.

Over the conversations to follow, the poet is by turns intrigued, confused, moved and frightened by Charlotte's vision of the world, by what it knows and doesn't know ("Do you remember being born?" it asks her. Of course Marian doesn't, but Charlotte does.) This is a relationship, a friendship, unlike anything Marian has known, and as it evolves—and as Marian meets strangers at swimming pools, tortoises at the zoo, a clutch of younger poets, a late-night TV host and his synthetic foam set—she is forced to confront the secrets of her past and the direction of her future. Who knew that a disembodied mind could help bend Marian's life towards human connection, that friendship and family are not just time-eating obligations but soul-expanding joys. Or that belonging to one’s art means, above all else, belonging to the world.

About Rave:
It’s the early 2000s. Lauren is fifteen, soft-spoken, and ashamed of her body. She’s a devout member of an evangelical church, but when her Bible-thumping parents forbid Lauren to bring evolution textbooks home, she opts to study at her schoolmate Mariah’s house. Mariah has dial-up internet, an absentee mom, and a Wiccan altar—the perfect setting for a study session and sleepover to remember. That evening, Mariah gives Lauren a makeover and the two melt into each other, in what becomes Lauren’s first queer encounter. Afterward, a potent blend of Christian guilt and internalized homophobia causes Lauren to question the experience.

Author Jessica Campbell (XTC69) uses frankness and dark humor to articulate Lauren's burgeoning crisis of faith and sexuality. She captures teenage antics and banter with astute comedic style, simultaneously skewering bullies, a culture of slut-shaming, and the devastating impact of religious zealotry. Rave is an instant classic, a coming-of-age story about the secret spaces young women create and the wider social structures that fail them.

Mona Awad is the author of the novels All’s Well, Bunny, and 13 Ways of Looking at a Fat Girl. Bunny was a finalist for a Goodreads Choice Award and the New England Book Award. It was named a Best Book of 2019 by TIME, Vogue, and the New York Public Library. It is currently being developed for film with Bad Robot Productions. All’s Well was a finalist for a Goodreads Choice Award. 13 Ways of Looking at a Fat Girl was shortlisted for the Giller Prize. Awad’s forthcoming novel Rouge, is being adapted for film by Fremantle and Sinestra. This spring, Margaret Atwood named Awad her ‘literary heir’ in The New York Times’s T Magazine. She teaches fiction in the creative writing program at Syracuse University and is based in Boston.

About Rouge:

From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Can she escape her mother’s fate—and find a connection that is more than skin deep?

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass.

Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, Rouge explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, Rouge holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

Emerson Whitney is a writer and a professor. Their book Heaven, McSweeney’s 2020, was named a ‘best book’ by the AV Club, PAPER, Literary Hub, Refinery29, Ms. Magazine, Chicago Review of Books, the Observer, and the Seattle Times. Heaven was also awarded a Kirkus star and was written about by nonfiction editor at Kirkus, Eric Liebetrau, in a piece called “Queer Memoir Old and New” as a profile of Emerson and Heaven is compared to Alice B. Toklas’ by Gertrude Stein. Heaven also won a silver medal in the Independent Publisher Book Awards and continues to garner praise. Emerson was named a 2020 Now List awardee in literature alongside Ocean Vuong and Danez Smith by Them magazine. Emerson’s writing has appeared in The New Yorker, Los Angeles Review of Books, The Believer, Paris Review and elsewhere.

About Daddy Boy:

In 2017, Emerson Whitney was divorcing the woman they’d been with for ten years—a dominatrix they called Daddy. Living in a tent in the backyard of their marital home, Emerson was startled to realize they didn’t know what it meant to be an adult. “We often look to our gender roles as a sort of map for aging,” they write. “I wanted to know what the process looked like without that: not man-ness, not-woman-ness.” Dizzied by this realization, they turned to an activity steeped in stereotypical masculinity: storm chasing.

Daddy Boy follows Emerson as they pack into a van with a rag-tag group of storm chasers and drive up and down tornado ally—from Texas to North Dakota—staying in motels and eating at gas stations and hunting down storms like so many white whales.

In heading with them to Texas, we return, too, to the only site of adulthood Emerson has ever known: their childhood. Interspersed throughout this trip are memories of dad—both Emerson’s stepdad, Hank, present and unflinching and extremely Texan; and their biological dad, who they hardly knew. With his cowboy hats and random girlfriends, he always seemed so sweet and lost.

Through these childhood vignettes, coupled with queer theory and weeks spent reading the clouds like oracles, wanting nothing more than to drive straight into the eye of a storm, Emerson frames these probing questions of manhood against the dusty, loaded background of the American West.

Hilary Leichter is the author of Temporary, which was a finalist for the Center for Fiction First Novel Prize and the New York Public Library Young Lions Fiction Award, and was longlisted for the PEN/Hemingway Award. Her writing has appeared in Harper’s Magazine, the New Yorker, and the New York Times. She teaches at Columbia University and lives in Brooklyn, New York.

About Terrasse Story:

Annie, Edward, and their young daughter, Rose, live in a cramped apartment. One night, without warning, they find a beautiful terrace hidden in their closet. It wasn’t there before, and it seems to only appear when their friend Stephanie visits. A city dweller’s dream come true! But every extra bit of space has a hidden cost, and the terrace sets off a seismic chain of events, forever changing the shape of their tiny home, and the shape of the world.

Terrace Story follows the characters who suffer these repercussions and reverberations: the little family of three, their future now deeply uncertain, and those who orbit their fragile universe. The distance and love between these characters expands limitlessly, across generations. How far can the mind travel when it’s looking for something that is gone? Where do we put our loneliness, longing, and desire? What do we do with the emotions that seem to stretch beyond the body, beyond the boundaries of life and death?

Based on the National Magazine Award–winning story, Hilary Leichter’s profound second novel asks how we nurture love when death looms over every moment. From one of our most innovative and daring writers, Terrace Story is an astounding meditation on loss, a reverie about extinction, and a map for where to go next.

Kyle Dillon Hertz received an MFA in fiction at NYU, where he was the Writer in Public Schools Fellow. He lives in Brooklyn.

About The Lookback Window:

Growing up in suburban New York, Dylan lived through the unfathomable: three years as a victim of sex trafficking at the hands of Vincent, a troubled young man who promised to marry Dylan when he turned eighteen. Years later—long after a police investigation that went nowhere, and after the statute of limitations for the crimes perpetrated against him have run out—the long shadow of Dylan’s trauma still looms over the fragile life in the city he’s managed to build with his fiancé, Moans, who knows little of Dylan’s past. His continued existence depends upon an all-important mantra: To survive, you live through it, but never look back.

Then a groundbreaking new law—the Child Victims Act—opens a new way foreword: a one-year window during which Dylan can sue his abusers. But for someone who was trafficked as a child, does money represent justice—does his pain have a price? As Dylan is forced to look back at what happened to him and try to make sense of his past, he begins to explore a drug and sex-fueled world of bathhouses, clubs, and strangers’ apartments, only to emerge, barely alive, with a new clarity of purpose: a righteous determination to gaze, unflinching, upon the brutal men whose faces have haunted him for a decade, and to extract justice on his own terms.

By turns harrowing, lyrical, and beautiful, Hertz’s debut offers a startling glimpse at the unraveling of trauma—and the light that peeks, faintly, and often in surprising ways, from the other side of the window.

About Lapvona:
In a village in a medieval fiefdom buffeted by natural disasters, a motherless shepherd boy finds himself the unlikely pivot of a power struggle that puts all manner of faith to a savage test, in a spellbinding novel that represents Ottessa Moshfegh’s most exciting leap yet

Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consolations is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby. For some people, Ina’s ability to receive transmissions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place.

The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by their depraved lord and governor, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces arise to upset the old order. By year’s end, the veil between blindness and sight, life and death, and the natural world and the spirit world will prove to be very thin indeed.

Sarah Blakley-Cartwright is the author of Red Riding Hood, a #1 New York Times bestseller published worldwide in thirty-eight editions and fifteen languages. She is the editor of Hauser & Wirth’s The Artist's Library for Ursula magazine. She is publishing director of the Chicago Review of Books, and associate editor of A Public Space.

About Alice Sadie Celine:

It’s opening night, but Alice’s performance in the local Bay Area production of The Winter’s Tale is far from glamorous. She doesn’t have dreams of stardom, but the basement theater in a wildfire-choked town isn’t exactly what she envisioned for her career back home in Los Angeles. To make matters worse, her best friend Sadie is not even coming.

Pragmatic, serious Sadie and flighty, creative Alice have been best friends since high school—really one another’s only friends—but now that they are through with college (which they attended together) and living on opposite ends of California, Alice would at least expect her friend’s support. Sadie, determined not to cancel her plans with her boyfriend, ends up enlisting the help of her mother, Celine.

A professor of women’s and gender studies at UC Berkeley, Celine’s landmark treatise on sex and identity made her notorious, but she’s struggling to write her new book in a post-second-wave feminist world. So, when Sadie begs her to attend Alice’s play, she relents, if only to escape writer’s block. But in a turn of perplexing events, Celine becomes entranced by Alice’s performance and realizes that her daughter’s once lanky, slightly annoying best friend is now an irresistible young woman.

Set over the course of decades—from Alice and Sadie’s early friendship days and Celine’s decision to leave her husband to the radical movements of 1990s Berkeley and navigating contemporary Hollywood—Alice and Celine’s affair will test the limits of their love for Sadie and their own beliefs of power, agency, and feminism. Witty and relatable, sexy and surprising, Sarah Blakley-Cartwright’s debut adult novel is a mesmerizing portrait of the inner lives of three very different women.

Sean Thor Conroe is a Japanese-American writer. He was born in Tokyo in 1991 and was raised in Scotland, upstate New York, and the greater Bay Area. He studied literature and philosophy at Swarthmore College, and attended the Columbia University School of the Arts. He has guest edited New York Tyrant Magazine and hosts the book podcast 1storypod.

About Fuccboi:

A fearless and savagely funny examination of masculinity under late capitalism from an electrifying new voice.

Set in Philly one year into Trump’s presidency, Sean Thor Conroe’s audacious, freewheeling debut follows our eponymous fuccboi, Sean, as he attempts to live meaningfully in a world that doesn’t seem to need him. Reconciling past, failed selves—cross-country walker, SoundCloud rapper, weed farmer—he now finds himself back in his college city, trying to write, doing stimulant-fueled bike deliveries to eat. Unable to accept that his ex has dropped him, yet still engaged in all the same fuckery—being coy and spineless, dodging decisions, maintaining a rotation of baes—that led to her leaving in the first place. But now Sean has begun to wonder, how sustainable is this mode? How much fuckery is too much fuckery?

Written in a riotous, utterly original idiom, and slyly undercutting both the hypocrisy of our era and that of Sean himself, Fuccboi is an unvarnished, playful, and searching examination of what it means to be a man.

About Making Love with the Land:
In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.

In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.

Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.

From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin’s quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood

About Either/Or
Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel—a life worthy of becoming a novel—without becoming a crazy abandoned woman oneself?

Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel.

Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.