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    <title>Weird Era - Episodes Tagged with “Anakana Schofield”</title>
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    <pubDate>Thu, 27 May 2021 21:00:00 -0400</pubDate>
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    <itunes:summary>Hosted by Sruti Islam and Alex Nierenhausen
Theme Songs by Gino Visconti and Michael Jaworski (@mikejaws)
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  <title>Episode 15: LSHB's Weird Era feat. Anakana Schofield</title>
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  <pubDate>Thu, 27 May 2021 21:00:00 -0400</pubDate>
  <author>Weird Era</author>
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  <itunes:subtitle>Sruti sits down with Anakana Schofield, author of Bina: A Novel in Warnings to discuss distrust in the establishment, female pain, and the question of self-euthanization in fiction. </itunes:subtitle>
  <itunes:duration>48:59</itunes:duration>
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  <description>Anakana Schofield is an award-winning Irish-Canadian writer of fiction, essays, and literary criticism. Her previous novels are Malarky (2012) and Martin John (2015). The UK edition of Bina was shortlisted for the Goldsmiths Prize 2020. Schofield lives in Vancouver, British Columbia.
A provocative, feminist novel about a woman who persists in spite of the violence, injustice, and oppression that fills her world.
Bina is a woman who’s had enough and isn’t afraid to say so. “I’m here to warn you, not reassure you,” she announces at the book’s outset. In a series of taut, urgent missives she attempts to set the record of her life straight, and in doing so, to be useful to others. Yet being useful is what landed her in jail. Empathy is her Achilles’ heel. Her troubles seem to stem from an injured stranger named Eddie, and they multiply when her charity extends from delivering meals to the elderly to working with the dying. No good deed of hers goes unpunished and the costs of her capacity for care are legion, as one by one she is denied her livelihood, her health, and her freedom, but her voice continues resolutely, an act of friendship in itself. Bina is an unsettling, thought-provoking novel of formal inventiveness and moral and emotional complexity by a bold and talented writer. 
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    <![CDATA[<p>Anakana Schofield is an award-winning Irish-Canadian writer of fiction, essays, and literary criticism. Her previous novels are Malarky (2012) and Martin John (2015). The UK edition of Bina was shortlisted for the Goldsmiths Prize 2020. Schofield lives in Vancouver, British Columbia.</p>

<p>A provocative, feminist novel about a woman who persists in spite of the violence, injustice, and oppression that fills her world.</p>

<p>Bina is a woman who’s had enough and isn’t afraid to say so. “I’m here to warn you, not reassure you,” she announces at the book’s outset. In a series of taut, urgent missives she attempts to set the record of her life straight, and in doing so, to be useful to others. Yet being useful is what landed her in jail. Empathy is her Achilles’ heel. Her troubles seem to stem from an injured stranger named Eddie, and they multiply when her charity extends from delivering meals to the elderly to working with the dying. No good deed of hers goes unpunished and the costs of her capacity for care are legion, as one by one she is denied her livelihood, her health, and her freedom, but her voice continues resolutely, an act of friendship in itself. Bina is an unsettling, thought-provoking novel of formal inventiveness and moral and emotional complexity by a bold and talented writer.</p>]]>
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    <![CDATA[<p>Anakana Schofield is an award-winning Irish-Canadian writer of fiction, essays, and literary criticism. Her previous novels are Malarky (2012) and Martin John (2015). The UK edition of Bina was shortlisted for the Goldsmiths Prize 2020. Schofield lives in Vancouver, British Columbia.</p>

<p>A provocative, feminist novel about a woman who persists in spite of the violence, injustice, and oppression that fills her world.</p>

<p>Bina is a woman who’s had enough and isn’t afraid to say so. “I’m here to warn you, not reassure you,” she announces at the book’s outset. In a series of taut, urgent missives she attempts to set the record of her life straight, and in doing so, to be useful to others. Yet being useful is what landed her in jail. Empathy is her Achilles’ heel. Her troubles seem to stem from an injured stranger named Eddie, and they multiply when her charity extends from delivering meals to the elderly to working with the dying. No good deed of hers goes unpunished and the costs of her capacity for care are legion, as one by one she is denied her livelihood, her health, and her freedom, but her voice continues resolutely, an act of friendship in itself. Bina is an unsettling, thought-provoking novel of formal inventiveness and moral and emotional complexity by a bold and talented writer.</p>]]>
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